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Vassar
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  • 1968

This is a legendary mess of a movie that beggars description. Suffice it to say there’s hippies and gangsters and Groucho Marx is playing a gang kingpin named God and the ending credits are sung and you need a lot drugs for this to make any sense. Jackie Gleason is wealthy and is sending his hippie daughter to Vassar. Ultimately it’s another film that mocks the 1960s counterculture (see Take Her, She’s Mine, for a more sedate entry of that type.)